Books on Bullying

October is National Bullying Awareness Month. Given that the first month of school is behind us and routines have been established, for kids who are victims of school yard bullying that means the bullying pattern is probably underway by now too. Books can’t eliminate bullying – I know that – but a good story may provide enlightenment to bullies themselves, as well as bystanders caught up in peer pressure. Equally important, victims often benefit from stories, gleaning insights, coping strategies and much-needed comfort and support. Here are some books on bullying for young and not-so-young readers.

For the picture book crowd:

I Didn’t Stand Up by Lucy Falcone; illustrated by Jacqueline Hudon

Noni Says No by Heather Hartt-Sussman; illustrated by Genevieve Cote

One by Kathryn Otoshi

Chrysanthemum by Kevin Henkes

The Recess Queen by Alexis O’Neill; illustrated by Laura Huliska-Beith

Each Kindness by Jacqueline Woodson; illustrated by E. B. Lewis

Dear Bully of Mine by Vicki Fraser; illustrated by Cody McGrath and Sean McGrath

 

For older readers:

Queen of the Toilet Bowl and Camp Disaster by Frieda Wishinsky

Sticks and Stones by Beth Goobie

Stargirl by Jerry Spinelli

Bullies Rule by Monique Polak

Cabin Girl by Kristin Butcher

In Plain Sight by Laura Langston

Some Girls Are by Courtenay Summers

To This Day by Shane Koyczan

Dear Bully – Seventy Authors Tell Their Stories by Megan Kelley Hall

                Small – and Not so Small – Signs

Last week, I finished doing a substantive revision on No Right Thing. Revising, as I’ve said before, is one of my favorite parts of the writing process. Polishing and tweaking can take a story from good to great, and I think No Right Thing is one of the best YA novels I’ve written so far. A big shout out to Melanie Jeffs at Crwth Press for comments and suggestions that gave me the springboard I needed to dive in and make some changes.

One thing Melanie wanted me to look at was my story pacing. She felt the speed in which I showed signs of change on the part of my protagonist, Cate, wasn’t working as well as it could.  While Melanie wanted the external story to maintain its brisk, forward motion, she thought a slightly slower unspooling of Cate’s internal growth would serve the story better. So, I went back and started small, slowly stacking up Cate’s discomfort and signs of internal growth until she comes to the inevitable big, black moment when there is no turning back . . . when she is forever changed.

Starting small and not revealing everything at once is the pace you want in a novel because it creates tension. I thought I had that in place, but it sometimes takes a good editor to help an author take it to the next level.

In case I missed the message about the importance of slowly building tension, life reinforced the lesson last week in the form of a bear. Or, more specifically, the sign (this one not so small) of a bear.

Saturday morning, we took Team Sheltie for a walk along the trail behind our house. Within spitting distance of our back gate, we discovered a substantial pyramid of scat. It was bear scat, I told Mr. Petrol Head. No, he said, it was from a large dog. Not possible, I retorted. It was either an elephant or a bear and since there are no wild elephants on the island, I was betting on bear. But even as I spoke the words, I wasn’t entirely sure. I didn’t want to be sure.

Sunday morning while walking the same trail, a neighbor confirmed the left behinds were the gift of a bear, though he hadn’t seen it. They’re fairly common in this area, he reported.

I became uneasy. When we moved here a few months ago, we loved the close proximity to trails and creeks and ravines. I knew those areas were home to wildlife, but my citified mind conjured squirrels, racoons, birds, maybe a cute deer or two.

Monday morning, a second neighbor told us he’d been followed down the trail by a black bear the previous day. The only reason he knew about it was a couple walking towards him had seen it and pointed it out. He hadn’t glimpsed it himself.

My unease grew. I know the animals were here before us. I realize we share their habitat. I understand the importance of peaceful coexistence. But we live in a town. With paved roads. Streetlights. And houses. Lots and lots of houses.

Tuesday morning, yet another neighbor reported that she’d seen two black bears by the apple tree across the street. Last summer, she added, officers relocated six bears from this neighborhood.

Unease settled into my bones. Having a bear (or three) within spitting distance of my back door would take some (translation: a lot of) getting used to.

Just as I was mulling over the escalating tension and pacing of my own personal week, there was a new wrinkle in what we refer to around here as the weekly wildlife count. In fiction, we’d call it a twist in the action.

A cougar was spotted on the trail. Not out in the open because cougars, unlike bears, are stealthy creatures. A woman walking her dog in the moonlight caught sight of gleaming eyes staring at her out of the bushes. She beamed her flashlight in that general direction and, sure enough, it was a cougar. Crouched at the base of a tree. Waiting.

A cougar waiting in the bushes while she walked the trail. In. The. Moonlight. That woman, in a fictional world, would be the fearless heroine. She would not be me.

I have enough on my plate dealing with the pacing of my manuscripts. And the escalating bear sightings outside my back door.  

My August Reads

Here it is nearly the end of August; September is right around the corner. Soon school will be back in session, routines will be more in force and I’ll be back to blogging every week. For now, we’re still settling into our new home and getting used to the house and the neighborhood. As well as welcoming rabbits, squirrels, dear and raccoon to our yard, we have a family of quail that stops by fairly often. Mom (or maybe Dad) stands guard on a fence post while the rest of the family scurries along the ground. Fortunately, Team Sheltie has yet to see the quail parade. We might build a quail house next year. It’s on the list. Right now though, I’m busy revising No Right Thing, doing some freelance editing jobs and organizing my office. Oh, and finding a few minutes here and there to read. Here’s what I’m reading this month:

On the patio: The Great Alone by Kristin Hannah

Before bed: Ageless Soul by Thomas Moore

In the kitchen:   We Fed an Island: The True Story of Rebuilding Puerto Rico, One Meal at a Time by Jose Andres and Richard Wolffe

Books read to date in 2019: 37

New Beginnings

Two exciting things happened last week. We moved into our new home and I signed a YA book contract with Crwth Press. Talk about a fresh start filled with wonderful possibilities.

I’m thrilled to be working with publisher Melanie Jeffs who is already gaining recognition for her titles. Check out her website here: https://www.crwth.ca/

Melanie will be bringing out my YA in the spring of 2020, which means I’m already into the revision process.  The book in question, which I’ve referred to here before as One Good Deed, has been retitled No Right Thing. I always cringe when retitling is suggested. It’s wrong to get married to a title, I know that, and yet I often do. However, David Baldacci has just released a book titled One Good Deed and, as Melanie Jeffs explained, anytime someone looks up that title on line they’ll get the Baldacci information well before they get the Langston information.

That won’t do. Not at all.

Since this is a story about a teenager who always tries to do the right thing and yet finds herself in a situation where there is no right choice, no right thing, the title switch worked. I’m grateful to Melanie for pointing it out.

With the title nailed down, I can focus on revisions to the story, which is one of my favorite parts of the writing process. Incidentally, the novel is set in my new community of Qualicum Beach. That gives me a good excuse to get out and about and explore my new town. Here’s to new beginnings and No Right Thing.  

My July Reads

In a few short days, we’ll be moving from a cottage by the sea to a house with a garden. Though we’ve enjoyed our rocky shoreline view of eagles and herons and sea lions, it’s been seven months of uncertainty, of feeling deeply unmoored.

Some people need roots and I am one of them.

I’m looking forward to finally getting settled, to planting another garden, and to unpacking the many boxes we’ve had in storage. Within walking distance of our new home is a beach (pictured here).  There’s a great, long stretch of sand where we can walk for miles in either direction. Sometime soon, when I need a break from unpacking, I’ll grab a book and wander down for a waterfront reading break. Meanwhile, here’s what I’m reading this month.

At the gym: With the Fire on High by Elizabeth Acevedo

On the weekend: A Man Called Ove by Fredrik Backman

Before bed: The House Whisperer by Christian Kyriacou

Books read to date in 2019: 30

It May be Summer But . . .

. . . there’s still a lot of work going on behind the scenes. It may not feel that way when I walk down to the beach and view the crowds relaxing on the sand, but things are happening, albeit maybe not as quickly or as often as they usually do.

Take this blog, for instance. I’m only popping up here every few weeks these days, but I’m quietly working away on a number of fronts. And I’m not alone.

A case in point: my fall editing spots are starting to fill up. Authors nearing the final stages of their manuscripts are booking an edit before submitting to their publisher or getting ready to publish themselves. If you’re looking for some editorial input, I still have a few spots open in October. For details of my services, click back to my website for the editing link.

Speaking of editing, I’m jumping into a revision of One Good Deed, based on a request from an editor. I can’t say anything more at the moment but hopefully I’ll be able to provide more details soon.

And That’s A Wrap

The final few pages of a novel should bring a sense of completion and ideally some satisfaction or fulfillment too (which is why I love a well-written happily ever after). At the same time, a good ending should be logical, appropriate and have a sense of inevitability about it. It’s an art, hitting those perfect notes when writing a book. But it’s an art that allows for revising and tweaking until you’re satisfied with the story you’ve written.

Life isn’t like that. Endings come whether we’re ready for them or not. We can’t always control the outcome and they’re rarely as tidy as we’d like them to be. Endings have been on my mind a lot lately. Spring has ended and summer has started. This year, the end of spring brought a couple of things to competition in my life. And they were the best kind – happy endings.

The e fraud and stalled royalty issue I wrote about in a previous blog post   https://lauralangston.com/the-royalties-that-failed-to-arrive/  has been resolved. There was a big, black moment near the end (as all good endings have) where the bank refused to compensate us for the fraudulent interception, but ultimately that decision was reversed. The money was returned and my royalty payment arrived soon after.

My first ongoing mosaic project reached a natural conclusion recently too  (if you missed my process, go here: https://lauralangston.com/filling-the-well-mosaic-style/ ) I spent a few hours over a period of several weeks learning all about mosaic art and filling my creative well by trying something different. The final product may not be technically perfect or as artistically ‘tidy’ as I’d like it to be, but I’m happy with it.  In fact, I’m planning another mosaic project. And that’s another thing about endings. Done well, a good ending always brings with it the possibility of a new beginning, a fresh start.

 

 

 

My June Reads

It’s peony season. Stunning pink flowers are in full bloom outside our cottage by the sea, and red peonies grace the back yard of the house we’ve just bought. In the language of flowers, peonies represent love, romance and good fortune. In Greek mythology, the peony is linked to the moon. It was said that the moon goddess, Selene, created peonies to reflect the moon’s bright beams during the night. That’s especially true of very pale or white peonies. And interestingly enough, I divided some ethereal white peonies before we sold our old house so I could bring a few peony tubers with us. Those potted plants are now unfurling frilly white flowers. Soon it will be time to transplant them into the garden at our new place. For now, though, gardening is on hold while we renovate. At the end of the day, after showering off concrete dust, I relax with a book. Here’s what I’m reading this month.

 

At the gym: Save Me the Plums by Ruth Reichl

Before bed: Lasting Impressions by Geoffrey Jowett

On the weekend: The Art of Inheriting Secrets by Barbara O’Neal

Books read to date in 2019:  24

Filling the Well, Mosaic Style

I’m not great at finding time to play, and that’s been especially true lately with so many demands on my time. But as Julia Cameron talks about in “The Artist’s Way” it’s critical to take breaks, interact with the world and fill the inner well that fuels our creativity.

I thought about that last week when I took a class from Debra Hagen, a Nanoose Bay artist who specializes in mosaic art. I knew almost nothing about mosaics until I visited Debra at her house (okay, technically Team Sheltie went on a play date to visit Debra’s two shelties, Seamas and Merlin, and the humans accompanied them). Her home is vibrant, welcoming and filled with samples of her gorgeous mosaic art. 

Every piece drew me in. Some were bold, others were more subtle, but they were all beautiful. When Debra said she gave classes in her studio downstairs, I was tempted, though I’m not at all artistic. I can’t draw, paint, or sculpt I told her. I’m lousy with textiles. I’d probably mess up papier-mache.

Debra assured me it didn’t matter, so I decided to make a trivet. Something bright for my new kitchen.

 

 

Debra’s studio overlooks the garden and it has the kind of happy vibe found in any creative space: a feeling of expectancy and a sense of promise. Plus, it’s filled with more of Debra’s stunning art.

I enjoyed a cup of tea while Debra gave me a very brief introduction to mosaics. She pointed out her many containers of tesserae, the small blocks of stone, tile, glass or other materials used to make mosaics . . . and the pottery and china that can be broken up and also used in a mosaic. It’s referred to as pique assiette.

She talked about the substrate or rigid surface that you need to form the base, the adhesive or glue that’s used to attach the tesserae, and the basic tools like the wheeled nippers I’d need to do the job.

Like writing, the first step was settling on an idea and getting started. I quickly realized saying I was going to make a trivet was like saying I was going to write a novel. The statement was too broad. In the same way that a novel needs a plot or a character or a problem from which to build, my trivet needed something from which to build too: a central focus or a color or a piece of tile. Something. I decided on a heart for the center which Debra helped me outline on my plywood substrate.

 

We looked at the various bits of red tesserae that might work, but I wasn’t hooked. My eye kept going back to the china and pottery.

I found a plate with colors and a pattern I quite liked. Though it wasn’t at all red or heart-themed, something told me to go with it. I began breaking it up.

I hadn’t consciously noticed the couple on the plate when I chose it, but as I began to play with my layout, I decided they would form the center of the heart. How could they not?

Because I wanted to be sure I was happy with my layout, I placed many of the pieces on my substrate before I began gluing. That made for a longer process but I felt more confident doing it that way. At the end of the day, I wasn’t finished, but my heart had taken shape and I was thinking about background colors which I’ll tackle next time. 

Once the background tesserae is glued down, those small pieces will need 48 hours to dry before it’s time for the final step: grouting.

I left Debra’s studio feeling refreshed and energized . . . and thinking about my next mosaic project!

Debra is a great teacher. She’s instructive and helpful, and at the same time she’s wise enough to step back and let the artistic process unfold. For more information on her classes or to buy one of her mosaics, she can be reached at goldbugmosaics@gmail.com

 

The Royalties That Failed to Arrive

Put up your hand if you think e transferring money is easy, secure and foolproof. I did. I still think it’s easy but I recently learned that it’s not as secure or as foolproof as you might think.

A few weeks ago, I received an email from a small publisher asking if I would accept my royalty payment by e transfer. I don’t have this fellow set up on automatic deposit but I trusted him and his business practices so I said yes. A few minutes later I received a subsequent email saying the money had been sent. In his second email he also included the answer to the security question. I was surprised because if there’s one thing that’s been drilled into me it’s this: never send the answer to the security question in an email. I didn’t say anything, however, and if I have one regret, that’s it. Had I been thinking I would have quickly emailed him back and asked him to kill the transaction. But I didn’t.

I waited for the official notification that would allow me to claim the money. It didn’t come. I knew Bank of Montreal was having some on line issues that afternoon so I figured things were slower than usual. However, by the next morning when the money hadn’t arrived, I began to get concerned. My first thought was that perhaps the publisher had inadvertently forgotten to complete the transaction. I’d made that mistake once myself. So, I emailed him a brief inquiry. His reply was swift: the money had been sent and I had accepted it. It had been withdrawn from his bank account. He quickly provided an e statement from his bank to prove it.

My response was equally fast: I’d never received even a notification, so I hadn’t had the opportunity to claim the money. He stood by his initial statement: he’d paid me and he couldn’t afford to pay me twice.

As sympathetic as I was to his position, I also like to eat and I’d been counting on that royalty payment to help in that regard. I told him I was worried, especially since he’d included the answer to the security question in his email. He responded by saying that his security was good, his email was encrypted so there were no issues on his end but he wondered about mine. Was I using an unsecure browser? he asked. No, I told him, a secure network only, and my security was also top notch, and up to date.

We called our respective banks (the same bank – BMO – but different branches). He was told the problem rested with me and I needed to start an investigation. My branch said they couldn’t start an investigation because there was nothing to investigate; I’d never received notification of an e transfer so there was nowhere to go with a search.

Several hours and multiple phone calls later, the publisher learned that the money he’d sent to me had been claimed by a third party. We had a name. Surely this would be enough to resolve things, to claim/find/refund the money. But unfortunately for us, it was the Friday before a long weekend and nothing would happen now until Tuesday.

I spent part of that weekend checking for malware on my machines, checking again that my security was completely up to date (it was) and changing every single password to every single account (personal or professional, financial or otherwise) I had. Coincidentally when I was at the bank and seeing a teller, I mentioned what had happened and why I was changing the security number on my bank card. She responded by saying that whenever she returns from a trip, she routinely changes all her banking passwords.

I’d been in Winnipeg less than a week earlier. While I hadn’t done any on line banking during my time away, I had regularly checked my email. Was it possible someone had infiltrated my system? I didn’t see signs of it – scans of my laptop and cell phone had turned up nothing suspicious – but something was amiss somewhere so who knows. From now on I’ll take that bank teller’s advice and change my passwords after any trip, including my email password.

I still don’t have my royalty payment. The publisher still hasn’t been refunded the money either, but he has initiated a bank investigation and we’re both hoping for a positive resolution.

In the meantime, here are some things to remember when sending or receiving bank e transfers.

Never, ever, put the answer to a security question in an email or even in a text. Just don’t do it. If necessary, call the recipient to give them the answer.

When you conceive of a security question, make it difficult. Don’t, for instance, ask your payee who their favorite Beatle is. Someone in Ontario did exactly that when she was reimbursing a friend $1,700 for trip expenses. The money never arrived. With only four possible answers to that question, it’s easy for a fraudster to nail the answer in just a few tries.

If you’re active on social  media, avoid security questions that could be answered by skimming your feed. Don’t use the name of your pet, your favorite color or flower, your current hobby, or the location of your last vacation. Too easy to source via Twitter or Facebook.

Do not assume because you use a Mac, have excellent security or your email is encrypted that breaches can’t happen. There are people who are dedicated to intercepting e transfers. It’s their full-time job. My daughter works for a reputable company with encrypted email and high security. They lost 30K on an intercepted e transfer.

Double and triple check the email address you’re sending to. Double and triple check the email address you’re accepting money from. One common scam involves a single keystroke of difference. Also watch for errors in the text of the notification. Another favored trap is the $ sign appearing after the amount instead of before it.

Do not store account passwords in your web browser or on a mobile app. You don’t want someone being able to access your account with the click of a button.

Never respond to requests from Interac or your bank that require you to send information over email or text. If you receive a message from Interac that a transfer you initiated was not completed, review the transfer from your bank account to see if you typed in the wrong address.

Never provide personal or account information in response to an unsolicited email or text. Note that neither Interac nor your bank will request your account number, your personal identification number or any other personal information in an email. They already have it.

If you weren’t expecting the deposit or money request notification, contact the sender through a different channel to confirm that it’s real. If it’s someone you don’t know or money from a source you don’t expect, do NOT respond to their email address.

Finally, if you’re on the receiving end and you haven’t received notification of your expected e transfer within two hours, and the transfer is between Canadian banks, call Certapay at 1-888-238-6433. As soon as a payment is initiated, they are the organization coordinating all transfers in Canada, and they are able to quickly determine the status of the transaction.