Animal Farm

                                                        

All animals are equal, but some animals are more equal than others.  George Orwell, Animal Farm

Seventy-eight years ago today, George Orwell’s Animal Farm was published. The novella is the story of a group of overworked and mistreated farm animals who rebel against their human farmer in order to create a society where the animals can be free, equal, and happy. Ultimately, the rebellion is betrayed, and under the dictatorship of a pig named Napoleon, the farm ends up in a state as bad as it was before.

Orwell wrote the book in late 1943, when the United Kingdom was allied with the Soviet Union against Nazi Germany and at a time when the British intelligentsia held Stalin in high regard, something Orwell strongly opposed. Animal Farm is considered one of the most satirical fables ever written, painting a dark picture of what can happen when a group revolts against tyranny but ends up embracing a totalitarian dictator instead.

It wasn’t easy for Orwell to get his manuscript published, largely because of fears that the story might upset the alliance between Britain, the U.S. and the Soviet Union. Considering it communist propaganda, four publishers turned it down, though one initially accepted it and then declined after consulting the UK’s Ministry of Information. Eventually, Secker and Warburg took a chance and published it.

Initial reviews were mixed, though the story gained traction and has only grown in popularity. Between 1952 and 1957, the CIA, in an operation called Aedinosaur, sent millions of balloons carrying copies of the novel into Poland, Hungary and Czechoslovakia. Time magazine chose Animal Farm as one of the 100 best English-language novels (1923 – 2005). It also featured at number 31 on the Modern Library List of the Best 20th-Century Novels. It won a retrospective Hugo Award in 1996, and it remains popular amongst students, coming in as the UK’s favorite book from school in a 2016 poll.

Animal Farm’s cutting clarity and message resonate deeply, even today. And it remains somewhat controversial, still being banned in Cuba and North Korea, and continuing to be the target of complaints and even bans in some US schools.

My July Reads

Summer here means drought and high temperatures, so when it rained earlier this week, everyone celebrated. Not only was the moisture desperately needed for the forest fire situation, it was also a refreshing change from bright sunshine. And it provided a little more incentive to stay indoors and read. Here’s what I’m reading this month.

The Other Daughter by Caroline Bishop

Olive Odyssey by Julie Angus

The Chilbury Ladies’ Choir by Jennifer Ryan

Books read to date in 2023:  39

My June Reads

Summer has arrived here in the Pacific Northwest, bringing with it long days and a more relaxed pace. Over the next few months, I’ll be taking a little extra time away from the desk to reconnect with family and friends; to cycle and hike; and to do some day trips to the nearby Gulf Islands. But while I may not be as active on this blog, I’ll certainly be active in other ways. And while I’ll be stepping back from the computer a bit, I’ll still be reading. Here’s what I’m reading this month.

The White Hare by Jane Johnson

What the Dog Knows by Sylvia McNicoll

The Inner Work of Age: Shifting from Role to Soul by Connie Zweig

Books I’ve read to date in 2023: 33

             A Formidable Woman . . . A Powerful Tale

                                  

                                

On this day in 1811, Harriet Beecher Stowe was born. Stowe was the author of more than twenty books, including Uncle Tom’s Cabin which was published in 1852. The anti-slavery novel was the most popular novel of the 19th century, outselling the bible when it was published. It’s often called “the first bestseller” because there had been nothing like it in popular literature prior to its publication.    

The story is told through the eyes of Uncle Tom who saves the life of little Eva while being transported by boat to auction in New Orleans. Eva’s grateful father purchases Tom, and Eva and Tom become great friends. Always frail, Eva’s health begins to rapidly decline, and on her deathbed, she asks her father to free all his enslaved people. He makes plans to do so, but before he can act, he is killed.

Harriet Beecher Stowe and her husband were ardent critics of slavery and supported the Underground Railroad, temporarily housing fugitive slaves in their home in Brunswick, Maine. With the rise of the abolition movement came the demand for hard-hitting eyewitness accounts of the harsh realities of slavery. Uncle Tom’s Cabin provided that as Beecher Stowe based her novel on real-life situations. The book influenced many people’s thoughts about African Americans and slavery. It also strengthened the conflict between the Northern and Southern U.S., playing a significant role in rallying ordinary groups of people to fight for civil rights. So much so, in fact, that when President Lincoln met Beecher Stowe, he was quoted as saying, “So this is the little lady who made this big war.”

Uncle Tom’s Cabin was not without its critics. A significant number of people found the story itself racist and patronizing, saying it perpetuated stereotypes about black people. The character of ‘Uncle Tom’ – and the term Uncle Tom itself – has become synonymous with servility and self-hatred even today, though not everyone in the African-American community agrees. For an interesting take on the evolution of Uncle Tom and why the character has become something of a lightning rod in the black community, check out the transcript of this short NPR interview with Professor Patricia Turner.  https://www.npr.org/templates/story/story.php?storyId=93059468

Uncle Tom’s Cabin made its mark. More than 160 years after its publication, Uncle Tom’s Cabin has been translated into more than 70 languages and is known throughout the world.

My May Reads

                          

The irises are in full bloom, the Rhodos are putting on a show, and the peony buds are swollen and poised to open. Spring took its time getting here, but then it seemed to arrive almost overnight, bringing hotter-than-normal temperatures and a rush of garden-related tasks. Everything seemed to sprout at once, including the weeds. I’ve been busy pulling them out (not all of them; I love to harvest nettles for tea), spreading five yards of fish compost and getting all the seedlings into the ground. Luckily, I can work in the garden after dinner these days. Or at least I can until the mosquitos come out (they seemed to arrive overnight too!), but by the time they show up, I’m ready to come inside and pick up a good book. Here’s what I’m reading this month.  

All Signs Point to Paris by Natasha Sizlo

The Dog I Loved by Susan Wilson

He Said/She Said by Erin Kelly

Number of Books I’ve Read in 2023: 29

Eclipse Season

                                    

On May 5th, the first lunar eclipse of 2023 happens and will be visible from Antarctica, Africa, Asia, and Australia. Though we won’t see it in North America, scientists here are still talking about it because studying eclipses helps them learn about the moon, and the sun and how they influence life here on Earth.  

Friday’s event is a penumbral eclipse when the moon passes deep into the outer part of the Earth’s shadow (known as the penumbra). By scientific calculation, this is the deepest penumbral eclipse we’ll have until September 2042.

Eclipses, as you probably know, always come in pairs. Friday’s lunar eclipse finishes the cycle which started with a solar eclipse two weeks ago, on April 19th. People who love astronomy (and astrology too) call this time of year eclipse season because the alignments that cause the eclipses to happen take slightly more than a month to play out.

There are many myths about eclipses. The ancient Greeks believed that a solar eclipse was the sign of angry Gods and the beginning of death and destruction. On a more positive note, Italians still believe that flowers planted during a solar eclipse are brighter and more colourful than flowers planted at any other time of the year.

Lunar eclipse myths can be somewhat frightening, with many ancient cultures interpreting the moon’s eclipse as wreaking ‘havoc in the sky’ and believing that the same havoc was destined to happen on Earth. The Batammaliba people from Togo and Benin in Africa have a different, more optimistic take. Their ancient myth tells them that the sun and moon are fighting and that eclipses are a natural time to come together and resolve old feuds and anger.

Authors have also been inspired by eclipses, sometimes using them as important plot elements. Consider A Connecticut Yankee in King Arthur’s Court by Mark Twain; Nightfall by Isaac Asimov; Dolores Claiborne by Stephen King; Eclipse and Shroud by John Banville. And for younger readers, Sunwing by Kenneth Oppel and Every Soul A Star by Wendy Mass both utilize eclipses.

To me, eclipses signal change and new beginnings, which happens to fit perfectly with the start of spring. Happy Eclipse season!

My April Reads

Spring is flirting with us this year. Today, as I write this, it’s cool and drizzly. Last week we had hail! This week, I’m only now harvesting wild nettles to eat fresh and to dry for tea, something I normally do in mid to late March. And here it is virtually the end of April. However, the forecasters are calling for a warming trend, so by the time you read this, I could be heading to the garden and leaving my books behind. In the meantime, though, here’s what I’m currently reading.

The Man Who Came and Went by Joe Stillman

Moon Gardening by Matt Jackson

The Great Reclamation by Rachel Heng

Books read to date in 2023: 24

Canada Reads 2023

                               

Canada Reads, organized and broadcast by the CBC, is an annual ‘battle of the books’ competition that’s been running since 2002. During the multi day event, five personalities champion five different books based on a theme chosen for the year and the debate is broadcast over a series of five programs. At the end of each episode, the panellists vote one title out of the competition until only the winning book remains.  

This year’s theme was ‘one book to shift your perspective.’ And the winning book, announced this year on March 30th, set a precedent. For the first time ever, a graphic novel was declared the winner. ‘Ducks: Two Years in the Oil Sands’ by Kate Beaton was declared the book that all of Canada should read.

In putting forth her pick, Jeopardy! champion Mattea Roach said everyone is implicated in the story Ducks tells. “Ducks is one woman’s story, but it’s the story of an industry we all rely on in some way,” Roach said during the Canada Reads finale. “Whether we’re people living in Alberta who go to work in the sands . . . whether we’re people that live in central Canada who benefit from the wealth this industry creates, we are all implicated.”

Along with taking the 2023 win for Canada Reads, Ducks was also named a top Canadian comic by CBC Books in 2022, and it was one of two Canadian books on Barack Obama’s list of favourite books for that year too.

Congratulations to Kate Beaton!

My March Reads

Spring officially arrived earlier this week, and after an unusually cold February, there are hints of warmth in the air. The daffodils are blooming, we’re starting to see more sunshine, and my seeding flats are prepped and ready to go. I even spent time last weekend at a yoga solstice retreat . . . trying to break myself free of hibernation mode. It worked. Sort of. I’m still enjoying quiet stretches curled up with a good book and a cup of tea. Soon, though, the garden will demand more of my free time. Meanwhile, here’s what I’m reading this month.  

What a Dog Knows by Susan Wilson

How to be Sad; Everything I’ve Learned About Getting Happier by Being Sad by Helen Russell

Dear Writer, You’re Doing it Wrong by Becca Syme

Books read to date in 2023: 18

Myth Busting

Last Saturday, I attended a Zoom workshop given by author Becca Syme. Her topic: ‘Eleven Productivity Myths and Why You Should Stop Believing Them Right Now.’ Syme holds a master’s degree in transformational leadership and has coached over 6,000 individual authors and creatives during the last fifteen years. She’s also the author of a cozy mystery series and a series of books for writers.

Before discussing the myths, Syme walked us through a few quick exercises to demonstrate that we’re all wired differently and have different needs. She also spoke about the importance of questioning what we’ve absorbed as truth. Look for the assumptions under the following and decide whether they fit you.

Myth #1: If I can do it, anyone can. Not so. “Excellence is individualized, so the fact that someone else can or can’t do it has no relevance to us,” Syme says. Believing that myth could lead us to minimize our talents or hold ourselves responsible for outcomes that are out of reach. Syme illustrated the point with a story about two groups of people who were taught to speed read. Neither group had speed-reading training at the start. The first group started out reading 90 words a minute; by the end of the speed-reading course, they were reading 150 words a minute. The second group started out reading 350 words a minute; by the end of the course, they were reading 3,000 words a minute. Her point: innate potential combined with intentional development equals outcomes.

Myth #2: Having a daily routine will make me more productive. The underlying belief here, according to Syme, is that consistency is righteous (not so) or that systems are magic, which is also untrue. In my case, a daily routine does increase my productivity. For other creative types, the opposite is true.

Myth #3: In order to write faster, everyone should outline. This implies that every writer knows their plot in advance. Not true (for this writer, at least).

Myth #4: I can start my day with Facebook (insert your favourite social platform or online time waster here) and be quick about it. We tell ourselves we’re in charge of our decisions, but that’s less true than you might think, says Syme. Our decisions fall into three categories: non-habitual, like meeting a friend for lunch (free will); habitual like getting dressed or eating breakfast (less free will) and decisions like breathing/waking up tired/surfing the net when bored which Syme says is an automatic decision for many (virtually no free will). She also reminded us that Twitter/Pinterest/The Guardian always takes longer than we think. “As soon as we visit any of those platforms, someone is making money off our eyeballs,” Syme says. “We need to spend our eyeball money on our own stuff first.”

Myth #5: Planning makes me productive. This myth suggests that if we plan something, we will execute it. That’s not true for many of us, Syme says. A quick survey of the writers Zooming in on this session proved her right. The planners – and I was one – were in the definite minority. Syme says we also need to be mindful of overplanning (guilty!) because that can lead to frustration, disappointment, and a drop in productivity if we don’t achieve our plans.

Myth #6: You can’t edit a blank page. This phrase, made famous by author Nora Roberts, is so widely touted that even people living with writers believe it! Mr. Petrol Head said it last week as I struggled with an article draft. The underlying belief is that thinking is a waste of time, but for writers and many creative types, thinking is working, and we need clear head space in which to do it. Besides that, Syme says, some people can edit in their heads.

Myth #7: If it works for INSERT NAME OF PERSON YOU’RE TRYING TO EMULATE HERE, then it will work for me. This suggests someone else knows better or that their system is magic. It also tells us, at a subliminal level, that if we don’t write/create like someone else, then we’re doing it wrong.

Myth #8: This should be easy. Here we absorb the idea that there’s something wrong with us or we’re not doing it correctly if it doesn’t come easily. Believing this undermines self-confidence and the ability to take creative risks, and that, in turn, can torpedo productivity. The truth is, some things are hard even when you’re doing them right. 

Myth #9: If I write (or create anything) to fit the market, then I will write faster, sell better and have greater success. This is based on the incorrect assumption that the only books that sell well are those that are written to market. For many writers (and other creative types too), working intentionally to meet market demands can ruin our storytelling capability and lower productivity.

Myth #10: Everyone should use voice dictation software to produce more quickly. The premise here is a societal one particularly prevalent in North America: speed is all-important. Not true. As well, there’s a steep learning curve for voice dictation software, and some writers find it slows them down more than speeds them up.

Myth #11: Writers write. She saved the best for last because virtually every writer I know takes this to heart. This suggests that if we’re not producing words constantly, then we’re not as much of a writer as someone who does. Syme says over half of all working writers don’t write every day. They write much more sporadically than we would think and for a host of reasons: second jobs, family demands, health issues or simply because of their own natural rhythms.

It was a great workshop and I’m still processing what I learned. One key takeaway? The ancient Greeks were right when they said ‘know thyself’ and ‘certainty brings ruin.’ In other words, know what works for you and question anyone who tries to tell you otherwise.