Category: being present

All In Good Time

                                                  

I’ve written here before about being a turtle instead of a hare when it comes to producing art. Go here if you missed that blog post.  https://lauralangston.com/get-your-turtle-on/

The idea that we don’t always get instant results came to mind again recently. On this date in 1501, Michelangelo started carving the statue David . . . and he finished it three years later. The ceiling of the Sistine Chapel, considered one of the greatest masterpieces of all time, took Michelangelo four years to paint (and speaking of churches, La Sagrada Familia Basilica in Barcelona – one of Gaudi’s most famous works – has been under construction since 1882 and it’s still not finished).

 In my small corner of the world, I’m revising a novel I’ve been fiddling with for probably three years now. Some books come together quickly, but others don’t. I’m more accepting of that than I used to be. Maybe because I’ve been at this writing gig for decades. Maybe it’s life experience. More likely it’s a combination of both.

And as always, the garden (and nature generally) reminds me on a fairly regular basis that some things take time. For instance, I’m harvesting tomatoes right now. We have a glut of them and they’re especially sweet this year, especially fresh off the vine. But they’re also wonderful in other ways too.  I turned some into confit last week . . . it took about five hours in a very slow oven. While that was cooking, I filled the dehydrator with tomato slices. The process of getting them to sweet, dried rounds took a couple of days.  

All things in good time. Or, maybe that should read: time makes all things good.

In Stillness

                                                 

The last few weeks have certainly not been monotonous, but they have been quiet. That’s given me more time to write, to read, to walk and to think. It’s the kind of slower pace I usually associate with August. This year, though, we’re expecting lots of company in August, so I’m embracing a little solitude now.

Solitude and stillness are important to creativity. We know that intellectually – creatives generally need alone time to pursue their path. But what we tend to forget is that the stillness can also help us clear our minds and even inspire us. “In order to be open to creativity, one must have the capacity for the constructive use of solitude,” said Rollo May. “One must overcome the fear of being alone.”

A little time alone gives us a chance to think about what we’ve done artistically and where we might want to go; it helps us focus on our own priorities and our own voice; and in my case at least, it gives me a chance to appreciate some of the simpler things in life – losing myself in a good book, enjoying a delicious meal from the garden, and listening to the sound of the baby quail as they make their way along our back fence.

I hope you’re enjoying summer!

Lean Into Discomfort

      

I’ve been practicing yoga for decades. But despite my long-time practice, there’s one asana I love to avoid: phalakasana or plank pose. In the studio or in any kind of structured class, I almost always opt for a modified plank. In my solitary practice, I skip plank altogether. I just don’t like it. And I never thought to question why. Until my yoga class last Thursday night.

The instructor flowed into plank pose early in our 90-minute practice, and I flowed into the pose right along with her. The reason I followed along, quite honestly, is mildly embarrassing: my body was on my mat but my mind was elsewhere, and by the time my mind caught up with my body I was probably 30 seconds into my plank asana. My arms were quivering, my abs were trembling, and my brain was protesting. I was uncomfortable. That’s when I realized I wasn’t trying to avoid plank. I was trying to avoid discomfort. And that had been my primary goal around plank asana for years.

Humans are hardwired to avoid discomfort. And two US researchers say it does us no favours. Kaitlin Woolley (Cornell University) and Ayelet Fishbach (University of Chicago) conducted a study of 2100 people engaged in personal growth activities – anything from taking improv classes or music lessons to learning about COVID-19, gun violence or opposing political viewpoints.   

The participants were split into two groups. Some participants were told that their goal was to feel uncomfortable and (depending on the activity) awkward, nervous, anxious, or even upset. They were told to push on and accept that discomfort as a sign that the activity was working. Other participants weren’t told to embrace discomfort; instead, they simply focused on learning something or noticing if the exercise was working and how they were developing their skills.

Ultimately, the researchers found that the participants who aimed to be more uncomfortable were more engaged in their activities, felt more motivated to keep doing them, and believed they’d made more progress toward their goals compared to those who weren’t accepting their vulnerability.  

Discomfort, according to Harvard-trained psychologist Susan David, is our price of admission for a meaningful life. It’s almost always there whenever we try something new, whether that’s a new job, a new art form, or a new language. Whether it’s having a difficult conversation with a friend or challenging some of our long-held beliefs. Embracing discomfort requires emotional courage.

In the big picture of life, the fact that I went out of my way to avoid doing a plank is a small thing. But the fact that I avoided the plank to avoid discomfort isn’t so small. Discomfort is a wise teacher. Tolerating and embracing it helps us grow. And honestly, if I’d leaned into and accepted my discomfort long ago, I almost certainly would have grown through my discomfort and be doing a reasonable (and reasonably pain-free) phalakasana by now.

Then I could have turned my attention elsewhere. Discomfort, thy name is sirshasana.  

Wintering

                                        

“Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through.

Winter is a time of withdrawing from the world, maximizing scant resources, carrying out acts of brutal efficiency and vanishing from sight, but that’s where the transformation occurs.

Winter is not the death of the life cycle, but its crucible.”

Katherine May

Last weekend, I went on a yoga retreat, one focused on honouring Winter Solstice. The women running the event decided to hold the retreat in January even though Winter Solstice is the third week in December. Their reasoning? December is an extremely busy month, and early January felt more appropriate somehow. My busyness lasted well into January, so retreating at the end of that first week was the perfect fit for me.

The day was about letting go, slowing down and getting still, something that doesn’t always come easily to many of us. Katherine May talks about this in her book, Wintering: The Power of Rest and Retreat in Difficult Times. While I’ve only just started reading it, the book encourages us to find joy in the quiet of winter and accept life as cyclical, not linear. She writes: In winter, I want concepts to chew over in a pool of lamplight – slow, spiritual reading, a reinforcement of the soul. Winter is a time for libraries, for the muffled quiet of book stacks, and for the scent of old pages and dust.

I’m not so sure about old pages and dust, but the idea of slow, spiritual reading and libraries definitely resonates. As I write this, the wind is howling and the rain is lashing at the skylight; it’s a day to curl up inside. Writers – probably most artists when I think about it – are comfortable with solitude. I certainly am; I need it to do my work. For the last six months or so, though, I’ve been out in the world far more than usual, and it upended my natural rhythm and definitely negatively impacted my writing. So, for me, ‘wintering,’ pulling the metaphorical shades and getting back in touch with the cyclical nature of life and of my creative muse, feels appropriate.

Not everyone likes winter; I realize that. For those of you who find this season difficult, I leave you with this quote from John Geddes:

Thoughts for the Day

I’m protecting my productivity this week (see last week’s blog if you missed the reason why) and that means keeping this blog short.  

As I mulled over what to write, I googled ‘this day in history’ for ideas. Though I think of spring as a time for new beginnings, a few new beginnings or creative undertakings were launched on this date over the years.

German engineer Gottlieb Daimler unveiled the world’s first motorcycle, the Daimler, on this date in 1885. Sesame Street was launched on November 10th, 1969. And author Neil Gaiman was born on November 10th 1960. Gaiman, who has written Neverwhere, Coraline, and Stardust among others, is a dedicated user of fountain pens and writes the first draft of all his books with one.

That takes commitment. And time. And since my time is committed this month, I’ll leave you with two Neil Gaiman quotes to inspire you.

“The world always seems brighter when you’ve just made something that wasn’t there before.”

“The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So, write and draw and build and play and dance and live as only you can.”

My Summer Reads

Life has thrown a few too many curve balls these last few months, so I’m taking most of the summer to be still. To listen, to think, and to enjoy simple pleasures like picking dew-touched blueberries, or the intoxicating smell of lilies on a warm night, or losing myself in a good story. You’ll find me back here on a regular basis come fall. But for now, I’m filling the well with silence and some great books. Here’s what I’m reading right now.

The Midnight Library by Matt Haig

The Atlas of Happiness by Helen Russell

The View From Here by Hannah McKinnon

Books read to date in 2021: 55

Embracing the Stillness

Last week, after nine months of working at home, Mr. Petrol Head went back to the office. There, the door is locked; everyone is physically distanced and separated by plexiglass; there are masks, sanitizer, and he must fill out a daily form stating that he’s well and without Covid symptoms.

Other than Team Sheltie who like to herd me on the treadmill desk when I start writing, or bark at the courier when the bell rings, the house is quiet and still. It is empty. Or at least it’s emptier than it was a few weeks ago. And I think my muse has noticed.

Mr. Petrol Head isn’t especially loud. When he was home during the week, he would be at his desk and I would be at mine. We’d always connect at lunch, but the rest of the time we were both silently engrossed in our respective jobs. Yet I always knew he was there. I don’t know why. Maybe there’s a different quality to the air when you know someone is close by. Or maybe the nurturer in me is automatically attuned to another body in the house.  

After a few days of him being back at the office, my productivity seemed to increase. I also seemed to be thinking more deeply and in new ways about my work in progress. I thought perhaps I was imagining things. I also felt vaguely guilty. It’s not like I want him out of the house. I like his company.

Around the same time, I received my latest hold from the library, a book I’d requested many months ago. Simple Living:100 Daily Practices from a Japanese Zen Monk for a Lifetime of Calm and Joy by Shunmyo Masuno. It’s a short volume of single page entries designed to make you think. And think I did when I opened it to the first entry.

Make time for emptiness.

The words struck a chord because I’d been thinking about how empty the house is without Mr. Petrol Head in it.

Masuno goes on to ask if we have time to think about nothing in our everyday lives. It’s important, he believes, to make time for emptiness, even ten minutes of emptiness, every day. He writes: “when you are not distracted by other things, your pure and honest self can be revealed. And that’s the first step towards creating a simple life.”

I know he’s speaking about meditation, or something close to it. But the same concept applies to the creative life. In the same way that we need to empty a vase before we can fill it with water and add flowers, we sometimes need to empty ourselves before we can fill back up with our muse. We sometimes need stillness, complete stillness and an empty house, to create.

The house isn’t completely empty – I do have my ever-present canine pals – but there is a stillness in the air these days. And that makes it easier to hear my muse.

The Gift of Sight

In my own worst seasons, I’ve come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again.

                                    High Tide in Tucson by Barbara Kingsolver

I was reminded last week about the gift of sight, a gift we sometimes take for granted. Unless or until your sight is diminished, it’s relatively rare to be conscious of how much joy sight brings to our lives. I certainly don’t get up every morning and celebrate the sight I see in the bathroom mirror, though I always smile at my first glimpse of Team Sheltie.    

Last Saturday night, Mr. Petrol Head asked me to examine his left eye. “Does anything look different from the right?” he asked. Turns out, the left eye was so blurry he could hardly see out of it. It was, he said, like having “a thick film of Saran wrap covering his eyeball.” More than half his vision was gone, and it had happened just in the last hour or so. If that wasn’t alarming enough, he told me it wasn’t the first time he’d had the problem, though it had never been this bad. But the blurriness had been coming and going for three weeks at least.

After a weekend of fretting (and spending a little too much time in the company of Dr. Google), he saw the optometrist today. It turns out he has something called narrow angles which, if not treated, can lead to permanent vision loss. The cure (laser surgery to shoot holes in your eyes) doesn’t sound at all appealing but apparently, it’s effective and carries little risk. He’s scheduled to get it done later this month.

Growing up, I watched as my grandmother slowly went blind. She had diabetes, and while she went through multiple laser surgeries to prolong the inevitable vision loss, eventually she was left with very little sight. She took it in stride, and with amazing grace, though there were times it got her down.  

Memories of my grandmother, and especially what Mr. Petrol Head went through this past week, have made me look more clearly at my life the last few days. I don’t usually think of winter as being visually remarkable, but I am wrong. The holly bush is glossy and covered with brilliant red berries. The daffodils are poking through the soil in our front and back gardens, and the winter heather is in full bloom, covered with tiny purple-pink flowers. The blue jays flit from tree to tree, splashes of color against the cloud-filled sky, and on the trail as we walk Team Sheltie, there is a brilliant wink of yellow as a tiny pine siskin hops through the leaves searching for dinner.

There is beauty all around . . . and I am lucky enough to be able to see it.

And a New Year Begins . . .

I’m a little late to the ‘Happy New Year’ party but I’m here with enthusiasm, does that count?  I hope the opening chapter of your 2020 was happy/peaceful/celebratory (pick one, or pick all three). Mostly I hope it began optimistically.  

January is a time of fresh starts, new beginnings. It’s a time when many of us make resolutions. And some of us resolve to make no resolutions at all. I’m normally in the latter camp. I’m goal focused – I love to set goals and look ahead with optimism – but I’m not so much for resolutions. Only something about this year feels different, and I feel compelled to set some writerly resolutions.

This year I will:

  1. Measure productivity, not results. We’re a results-oriented culture. Most businesses measure success by results and many writers do too. We often count the number of books or articles we publish in a given year, or the amount of money we make from our efforts. But some things are out of our control. This year I will concentrate on my daily productivity and worry less about results.

2. Listen more and talk less. What are your thoughts on that?

3. Set realistic goals. Life has demanded a lot from me over the last few years. I’ve been meat paste in the sandwich generation of life and it has played hell with my output. Unfortunately, I don’t see it changing any time soon. Nevertheless, I will set goals and do my best to reach them.   

4. Practice kindness. It goes without saying, right? But I’m not always kind to myself. Someone told me recently we should treat ourselves as we would treat a best friend. I think that’s important, and it’s especially helpful when life demands much of us. Or when we’re struggling to reach #3 (see above).

5. Treat that 1st draft as a precious baby. Don’t judge or criticize. Hold a protective, tender space; know it will grow and evolve but right now it needs acceptance and nurturing.

6. Find a new-to-me author. Or three. Or six. Read someone new. Read out of my comfort zone. Read and read some more.  

7. And number seven. Ah, 7. Did you know that in numerology number 7 combines the hardworking number 4 with the mystical and creative number 3. Seven is associated with luck, intuition, inner wisdom and magic. It’s prominent in ancient cultures (there were seven wonders of the world) and it has held significance in virtually every major religion. So, it seems fitting to end with a resolution to make personal renewal a priority this year, however that looks like in any given day or week. Hard work is good. Hard work combined with intuition, inner wisdom and personal renewal is better. In fact, I’d call it an unbeatable combination.

Happy New Year and happy reading.

Yes, You Need That Break

For writers who don’t write quickly, it can be hard to justify taking a break. Instead, we often push ourselves to write more, while mentally beating ourselves up for not being as prolific as we’d like. However, the research is clear: taking a break from what we’re working on can actually improve productivity. A new and growing body of research outlined in the New York Times shows that strategic renewal – daytime workouts, coffee breaks, time away from the office and longer, more frequent vacations – boosts productivity, job performance and health.

Many writers rely on the routine of a daily walk. Stephen King gets in about four miles a day; Charles Dickens logged about three hours every afternoon.  Walking leads to more creative thinking than sitting does. Researchers from Stanford University found it boosted creative output by 60 percent. That’s significant. We walk Team Sheltie once or twice a day and I look forward to the break. It often sparks story ideas or helps with my work in progress.

But a walk is just a walk. And unless you cycle or drive to a new destination every day, the same old walking routine can become stale fast.

That’s where the artist’s date comes in. I’m sure you’ve heard of it. The brainchild of Julia Cameron, the artist’s date is a weekly solo expedition to explore something that interests you. It need not be overly ‘artistic.’ Cameron says it’s more ‘mischief than mastery.’ It’s meant to fire up the imagination and spark whimsy.

To be worthwhile, an artist date must happen every week and it must be taken alone. No friends, spouses, children allowed. It should involve leaving the house. What about being housebound because of bad weather, you ask. Cameron believes that an occasional in-house date if you’re alone and devoting yourself to something that ‘fills the well’ is acceptable but the goal is an excursion out of the house. Essentially, it’s a two-hour play date where you indulge your inner child.

It doesn’t have to cost anything, other than time. Some ideas:

Visit a shop that has nothing to do with what you actually do – an art supply store, a music store, a fabric, bead or (my favorite) a yarn shop.

Visit a U-pick farm.

Go to a graveyard and read the tombstones (it sounds morbid but this is great for writers who want story ideas).

Explore a neighboring town, or a part of your town you aren’t familiar with.

Take a hike.

Walk around town and take pictures of what inspires you.

Watch the birds.

Go to Home Depot with $5 in your pocket. See what cool things you can find to create an art project with five bucks. Go crazy.

Visit a plant nursery and plan your perfect garden.

Go to the library and find a book on a subject you know nothing about. Check it out.

Spend some time at a furniture auction.

Go for a bike ride.

Listen to live music.

Take yourself out for afternoon tea and people watch.

Visit a rock hound shop.

See a movie that appeals to you.

Go to a museum.

Watch a sunset.

Visit a farmer’s market.

And my personal favorite: walk on the beach and watch the waves crashing on shore.